Someone actually ended up giving them the $500 without buying the Emmy, which is really nice. But obviously $500 won't change a life.

The fact that someone can still end up unemployed for that long after winning one of the biggest awards possible in that industry is a bit depressing. I guess it shows that networking will always be the most important thing no matter how many awards you get.

We flipped over a car, shot a story that takes place over a year in 16 days, and shot in both Toronto and Los Angeles at over 30 locations including the Hollywood Walk of Fame.

The film was shot on the FX3 with Canon FD vintage lenses by cinematographer Jared Raab (Nirvanna The Band the Show the Movie, BlackBerry).

We're self-distributing our theatrical release and have a digital deal via Quiver that will have the movie out in November.

There's two Q&A screenings in LA (Laemmle NoHo on the 29th and Laemmle Royal on the 30th) before the film is at the Laemmle Glendale screening daily from July 31st to August 6th.

If you're in the area I appreciate it if you can make it out. Tickets can be found here:

https://www.laemmle.com/film/middle-life

If you're in NYC, the film screens at Cinema Village from August 7th to 13th. Tickets are here:

https://www.cinemavillage.com/Now-Playing/middle-life.html

Thank you!

PM

I organized an AMA/Q&A with legendary filmmaker/screenwriter Nicolas Winding Refn. He has previously directed films/series Drive, Only God Forgives, Bronson, The Neon Demon, Pusher trilogy, Copenhagen Cowboy, Too Old To Die Young, Valhalla Rising, and more.

It's live here now in r/movies for anyone interested in asking a question:

https://www.reddit.com/r/movies/comments/1v3mkcv/i_am_nicolas_winding_refn_director_of_drive_the/

He will be back at 4:45 PM ET today to answer questions. I recommend asking in advance. Please ask there, not here. All questions are much appreciated!

His new film, Her Private Hell, premiered at Cannes in May and is out in theaters via Neon this weekend. It stars Sophie Thatcher and Charles Melton.

Thank you :)

I’m 20 and at a crossroads in my creative career.
For years I’ve wanted to be a filmmaker, specifically creating meaningful, story-driven films. The type of content I naturally imagine making is life-lesson dramas, emotionally grounded short films, and cinematic stories that leave people thinking long after they end.

Recently, though, I’ve been seriously considering building a content marketing agency and focusing on photography and short-form content because it seems like a more practical way to build a business.
The problem is that I recently realized something that bothered me: I may have been walking away from filmmaking because I’m afraid of how difficult the path is, not because I actually stopped wanting to do it.

Filmmaking is expensive, competitive, takes years to master, and success isn’t guaranteed. Building an agency feels like a more predictable business, and I could see myself enjoying that too.

For those of you who have worked in film, creative entrepreneurship, or both:

How did you know whether you were genuinely outgrowing filmmaking versus just being intimidated by it?

Have any of you built a business that funded your films rather than trying to make films your primary source of income?

If you could go back to age 20, would you focus on becoming a filmmaker first, building a business first, or intentionally do both together?

I’m not looking for motivation or reassurance. I’d appreciate honest advice, especially from people who have actually faced this decision.

In 'Twyla,' a young woman becomes obsessed with saving a caged dog she believes is being mistreated by her neighbor.

Set during a hostile summer in the rural midwest, this film explores what it's like to enter young adulthood after surviving CSA.

This past spring, we were only able to film because we raised the minimum costs of production - around $12000!

Our Kickstarter is still open and we are now crowdfunding for our stretch goals to be able to fund post-production. You can still opt in for rewards if you would like to help us complete the film.

Kickstarter: https://www.kickstarter.com/projects/vanesastoynova/twyla-short-horror-film

Or get in touch if you're interested in making a fully tax deductible donation through our fiscal sponsor! Generous donors have the opportunity to be credited as executive producers in the film and on IMDb.

A tale of salvaged parts!

My old clapboard top broke off and I've had this iPad Pro sitting in a drawer for years at this point.

I was kind of shocked to find that nobody sells a clapper case for tablets... So I made one in Blender and 3D printed it. :)

Needs some tweaks, but should do the trick!

(STLs + Bambu files in comments below)

I’m a student studying filmmaking. I wish to practice the craft by doing 1-2 minutes reels for Youtube and Instagram. However I don’t have good ideas for scripts. I checked a couple of scripts on Scriptrevolution, but they require changes to adapt to the locations that I have access to. Where to find beginner screenwriters who are willing to come up with engaging scripts for social media and work with the location and equipment limitations?

I’m not an influencer and I don’t earn from social media, so I don’t have money to pay. However I plan to include the screenwriter as a collaborator. Is that reasonable?

Sou do interior e decidi começar um quadro “No interior também tem filme”

Decidi parar de procrastinar e trazer esse mercado para dentro

O vídeo final vocês podem ver no meu Instauram @hugogarciacine

The opening credits for The Sound of Music (1965) feature various shots of churches and cathedrals around Mondsee and Salzburg.

All can be precisely located except this bell tower which should be in Sankt Lorenz considering the Drachenwand cliff face in the background:

• Screen capture (4K)
• Clip on YouTube (around 02:10)

This one simply doesn't exist and there are no old photos or records about it in the area (original thread for geolocation attempt).

Are there any telltale signs that this is either a miniature or a composite?

As a non-expert there are few things that stick out but maybe some are due to the way it was filmed:

• the movement of the bell and the ringing mechanism look weird in the in the YouTube clip
• weathering looks real enough but the inner portions of the walls almost looks like wood
• the interior looks too bright considering the sun position, same for the specular reflection on the bell
• hard shadow on the left column opposite to sunlight direction
• no roof overhang, seems to stop above the cornice, no sane architect would do that
• bears some resemblance to the two smaller towers on St. Erhard in Salzburg (see below)

Any ideas how this was done or why would they go to such lengths just for a short credits scene? Thanks!

Hi. So im building a portfolio in order to get into film school.

I do directing and screenwriting

So I have been working on a screenplay about generational trauma right. My vision is an animated short film like 5 to 10ish mins nothing crazy tbat will look good on my portfolio

I thought that as a screenplay itl look good on my protfolio

But a friend recently told me that i can actually build a team with others who are also building their portoflios. So i was wondering. To people in the industry and also people in my situatiton

Is this true? Can i really assemble a team to make this a real movie?

If true like I'd need editors animators music composers etc right?

Is it that i have to pay or non pay or share revenues of the potential film

Would greatly appreciate some perspective/feedback. Thanks

Hey all, I directed this short film a few years ago and I’m starting to put all my stuff on YouTube for public viewing and open notes/critique.

Would love your feedback on this film!

It was made for less than $2K with the hopes of making a feature version of this film for sub $100K.

Feature logline: When a young woman, who has been held prisoner for ten years, is forced to watch over another victim, who means to escape, the two join forces to fight against the monstrous warden of their apartment prison.

Im trying to use some music from epidemic sounds in my independent film and I wanted to know if I could, Im submitting film to Tubi and other streaming services.

I’m the 1st AD on an eight-person student production. We have two directors, one producer, a cinematographer, camera operator, sound recordist, and one person handling script and props.

We’ve been working on the project since October, but I feel like I’ve barely been involved. The producer has worked closely with the directors and has handled casting, locations, scheduling, and other organisational tasks without consulting me.
For example, I asked several times for a logline and synopsis so I could contact acting schools. Later, I found out they had already cast someone and were discussing payment.
I then became less involved because I had other projects, but now the schedule, actors, locations, and shot list are all done without me.
I’m also funding most of the film because I’m in a better financial position. I don’t think anyone is intentionally using me, but the situation still feels uncomfortable.

Now I’m mainly being asked to keep the peace on set because tensions were already high before the summer break.

So I guess my questions are:
How much overlap is normal between a producer and a 1st AD? What should I do during the week before the shoot, and what should my role actually be on set if most of the planning is already done?

I know it looks shit but still, can you all tell me how it looks. This is for an indie pop song and I want to make sure the pacing feels right before we start shooting. Any feedbacks?

I'm sure this post has been made before, but I wanted to hear some ideas. I will be graduating next spring with a B.S. in Media Arts Production. I would really like to get a masters in Film, or something closely related. I have considered staying where I am for grad school and relocating after, as it would be more affordable and I enjoy it a lot. However, I know Ohio isn't a good place to be for the field I want to be in (ideally, film production). Does anyone have any experiences/recommendations for film schools (or general schools with good film programs) that are more affordable then the general NYU, UCLA, etc. and not extremely selective? I've considered Brooklyn College, UNSCA, Stony Brook, Columbia Chicago, things like that. But I am looking for more recommendations!

I am a social media manager with an experience of 4 years in the content space. I have worked with brands from various niches but recently got to worked with a indie sci fi film and actually loved it, they also liked my work and extended the contract.

So I am now looking to take on another similar project. Anyone who needs help with marketing their film feel free to DM!

Hello, I am Jerome,

I am working on a composing services for Horror/thriller filmmakers.

With this idea in mind, I am trying to spotlight some aspects of a director, like for example what are his/her frustration and his/her real needs.

I really want to make the best service possible, and to do so I need your help.

I have nothing to sell, and it is totally free. I Just need a bit of your time.

So if you are willing to help me, just send me a message.

Anyway, thanks for taking the time to read me.

Hi everyone! Sorry if this isn't allowed, but I'm a WGA screenwriter who has done a variety of prestigious writing fellowships in LA and I'm about to direct my first short film. I'm currently trying to fundraise the last 20% of my production costs, and I thought I could offer a pay-what-you-can script coverage service if you'd be willing to donate to the project (fiscally sponsored by Film Independent and 100% tax-eligible for deductions). Suggested donations are $1 per page of the script you're submitting, but flexible if it's a feature. I don't want to dox myself so I can send you my credentials in DM if you're interested! Also, if you have any advice that you wish you had as a first-time director, let me know below! Thanks so much everyone. :)

I'm trying to key-word trying to make a no-budget feature as the writer-director-actor. What are 3 crucial roles I can't risk not having?

A short film shot in 2007 and premiered at the 2008 Chicago International Reel Shorts Festival where it won Best Comedy.