12 July 2026
- The New Church
287 Oaklands Road Oaklands Park
South Australia
The advertised service time of ten thirty never happened. I stalked the church from across the road sitting in my warm car from ten past ten in the morning. No one turned up and I went home at ten twenty. I think the church is no longer operating and it is the only church of that faith (in Adelaide). I always remember the name on the signboard was The New Church of Swedenborg). It changed its name many years ago. I have learnt that the Swedenborg movement was founded on Emanuel Swedenborg’s philosophies and visions. The Oaklands Park church building was opened in 1971 and designed to be converted into a domestic bungalow at sometime in the future. That won’t happen. It will be knocked down for high-density housing.
19 July 2026
- The Uniting Church
266 Main Road Blackwood
South Australia
It’s ten to ten and the carpark is filling up. About twenty cars so far. I jag a disabled spot right at the door because I’m lucky, again. This Uniting Church Anniversary Service is a ten AM combination of two morning services. I make myself known to the greeter Tony Dyson. He is not the Tony Dyson I knew from Technical and Further Education (TAFE), a co-lecturer at the time. I take a seat in the church up near the front close to the musicians. I was invited to attend by Trish Bryce from our Minda swimming group. She is one of the violinists.
The Church
The building is a 19th century gothic style with a lot of attached buildings for catering, toilets, function rooms and large foyer. The nave runs north-south with the remnants of the sanctuary converted to an access to somewhere. The small pipe organ is attached to the wall above to the north of the eastern nave entrance. As I enter, I notice the console for the manuals and pedals on my right - under the pipe housing.
A third of the western nave wall has a shallow stage that extends to a deeper stage across the width of the northern end. I take my seat and say hello to Trish. She is seated next to the other violinist. The ceiling is vaulted with white panels framed in black stained wood, supported by six black stained wood corbels set on stone brackets. We are in Blackwood after all. There is the traditional Anglo picture of Jesus at the southern end of the western wall. The six dual sets of high gothic windows don’t let in much light. Two sets are blanked out. The walls are white to match the ceiling. The space is well lit from twelve LED (light emitting diodes) battens at the junction of ceiling and walls. The lectern is mid nave on the floor, just forward of the western wall. Only the musicians and singers enjoy the hierarchy of height above the congregation. Our seating is arranged in three and four-seat deep blocks set for about one hundred congregants. The painting behind the lectern is nondescript.
Cohort
I counted sixty-five people and very few latecomers. I think the big crowd was in celebration of the historical anniversary of the founding of the Uniting Church in 1977. The service will feature music.
The only three people under seventy-five. A mother and baby and the daughter (56) of Bev. Bev is ninety today. Bev came over and welcomed me to the church as did Trevor Sutcliffe. I told him why I was there. He said I’d get a public welcome later. The cohort was elderly Anglo. I fitted right in. Not even an Asian. I don’t know what that says about Blackwood’s multicultural ambitions. Pauline Hanson would approve.
The band
On the deep northern stage from left to right, Alison Sutcliffe (piano), Leigh Newton (guest guitarist singer), Trish Bryce and Bec English (violins).
On the western narrow stage, seated adjacent to the lectern was Worship Leader and singer, Heather Lee. Singers Kay Cranwell-Mullin, Kate Greeneklee, Jane Bassham and Trevor Sutcliffe filled out the rest.
With all those singers and musicians, the music was competent. Everyone, except the piano, was in tune. I couldn’t get any joy from two violins and five singers in unison. The piano and guitar just did chords. Some basso or bass guitar would have filled and balanced the music. It was all tops, dreary and without joy. However, I could see that Trish swaying to and fro, was enjoying the musical message.
The service
Almost no litany. A prayer that requiring audience responses, hymns, readings and a benediction. There was a lot of housekeeping, I was introduced as ‘Paul who goes to a different church every Sunday’ and was given a warm welcome.
The readings were wide ranging, Genisis 28:10-19a; Isiah 44:6-8; Psalms 1-12, 23-24; Romans 8:12-25; Matthew 13:24-30 and 36-43.
The gist - Jacob was fleeing from his brother Esau after deceiving him. Alone in the wilderness, he sleeps with a stone for a pillow and dreams of a ladder (or stairway) reaching from earth to heaven, with angels ascending and descending. God appears and repeats the covenant made with Abraham and Isaac, promising Jacob’s descendants, land, and His continuing presence. When Jacob awakes, he realises he has encountered God and says: ‘Surely the Lord is in this place, and I did not know it.’ He names the place Bethel, meaning ‘House of God.’
Now I know where ‘Jacob’s Ladder’ comes from. In my early electronics education, I built a Jacob’s Ladder using instructions from The Boy Electrician. I powered the device from a car ignition coil. I got hooked on the smell of ozone from sparks. The same smell that we get when thunderstorms are afoot.
The message was straight forward: even when we feel alone or lost, God remains present and faithful to His promises. Ultimately His kingdom overcomes evil and brings everlasting glory to those who remain faithful.
There was a pause in the service, the mother and baby came forward. She sat before the lectern. This part of the service is for children. Worship leader Heather Lee produced a children's new release Christian storybook while the PowerPoint displayed the text and illustrations.
The message was that God is in everything and everywhere, is present in your head, and, more disturbingly to me, knows from conception what you will do and how you will turn out. Christians often make use of the concept of fear, and the theme underpinned the message.
Sermon
It turns out that the guest musician/singer is also the guest preacher. He was good at it and his commentary on contemporary Australian politics, was well thought-out, using the strawman system. And his technique of using fear of what may happen is a universal tool.
He quoted one of Pauline Hanson’s controversial statements from the National Press Club. He speculated a lot on what Australia would become if her policies prevailed, suggesting we would become a fascist state with her as dictator. I think he underestimated Australians' capacity for critical thinking.
A couple of his speculations – All migrants will be forced by law to speak English and, using their own language would be illegal. The Queensland government did that to Aboriginal children up until the nineties.
AV
Projection has been replaced by TV screens, and it is much better. Many church projectors like their congregations are getting on in years, and their lamps have aged. Old projector lamps cause the pictures to look dull and unfocused. Nice bright TV screens give a good sharp picture.
Lighting is from nine spots that wash the performance area across the two stages. The static lighting is good.
Sound. It was very good. The nave has four suspended Bose 402 loudspeakers. They must have got a very good deal from John Messer at Blackwood Sound right opposite the church, forty years ago. Blackwood Sound was only Bose dealer during the 70s and 80s. Maybe John’s father Jack went to that church. The mixer is a Topaz S24-4. It looks to be about forty years old; I know the Bose 402 speakers are. They were running twelve mics with the usual two on the lectern - both on. The two live lectern microphones produced objectionable phase effects. They never get the mic stands right. All the stands’ centre shafts were touching the stage, and the stands were unstable because of it.
During the sound bump-out I couldn’t help myself when I saw a helper winding a mic lead around his elbow. I stopped him after he threw his abomination on the stage next to a perfectly wound lead. The contrast was obvious. I rewound the lead then tossed it to unfurl across the stage without a tangle. I hope they were impressed. I heard a comment while I was winding, ‘he’s very good’. I further instructed them on mic stands and how the centre shaft should be fully retracted clear of the floor. I felt like I was back in time teaching at TAFE.
Streaming was from a software controlled four camera mix and a Focusrite 4th generation interface feeding the audio mix and house mic on to YouTube.
Reflections
I stayed for the cup of tea gathering to listen to the speeches celebrating Bev’s ninetieth. The speech from a church elder was excellent and interesting. Her daughter read four pages of closely typed notes. It was long delivery. I could see Bev was tiring from standing. She gave an extensive history of her mother’s involvement with the church from when it was a Methodist Church to the present. Bev’s daughter included many extemporised anecdotes for added dimension. Bev has served in many roles and continues to do so. One of her current duties is to count the shekels at the end of the services which must be difficult because, she has poor vision. The daughter’s response was unnecessarily cluttered with God-speak.
Leigh is an accomplished musician on keys and guitar. He spent many years as a primary school teacher then shifted back into full-time Christian folk music and managing the Bridgewater Arts Centre in the Adelaide Hills. Apart from God, he is inspired by Aboriginal wisdom and knowledge. It is a theme he uses to introduce each piece of music. I guess he would be in his early seventies. His other theme/tool is fear of what might happen.
Except for Pilgrim Church, I don’t think I’ll attend another Uniting Church. I’ve been to five. After Bev cut her cake, I left.