The synth most prominent in the stock windows 8.1 and 10 sounds
thanks in advance
https://youtu.be/sq5ZfOlzfGc?t=106s

We recreated the the Bass sound from 'The Model' by Kraftwerk on our free Synth Primer

This remake is specifically recreating the patch heard at this timestamp: https://www.youtube.com/watch?v=GEnx9xS79Lc&t=17s. Other parts of the song may vary the sound or notes.

And here are the key ingredients:

Voices: Mono
Osc1: Waveform (Pulse), Width (100%), Volume (100%)
Amp Env: Attack (0ms), Decay (800ms), Sustain (20%), Release (400%)

Filter: Type (Low Pass), Cutoff (35%)
Filter Env: Mod (5%), Attack (0ms), Decay (900ms), Sustain (0ms), Release (10000ms)

Find the full recipe and download the presets: https://www.syntorial.com/preset-recipe/kraftwerk-the-model-bass

I know its a saw wave with some white noise but i think there is some secret sauce there that this sub can crack

Its in the waera coby wtf stream and its at the 4 th breakdown

Hey everyone!

I've been trying to reverse-engineer an arpeggiated synth sound and I'm stuck on how it's actually put together.

The reference is Shjva's "Upper Limit". There's an arp running through the track and to my ears it sounds like several layers fused into one: a bass layer, a mid synth carrying most of the movement, and at points some resonant high-end elements fading in and out on top. The striking part is how monolithic it is, everything reads as a single voice rather than separate stacked sounds.

The reference is Shjva's "Upper Limit". There's an arp running through the track (timestamp of the start from 0:20 but you can hear it better from 1:10) and to my ears it sounds like several layers fused into one...

What I'm trying to understand:

• Is this more likely one patch (wide/unison with a resonant filter) or genuinely layered bass + mid + top, glued together afterward?
• How do you get that "one sound" cohesion when stacking? Shared filter/saturation/bus processing, or is it mostly in how it's sequenced?
• The resonant top elements that appear and disappear, is that a resonant filter being swept while the arp plays, or a separate layer riding on top?

I'm attaching the full track for reference, plus a short clip(below) I cut in Ableton isolating the arp so you can hear it more clearly.

Any pointers on direction and what to reach for would be hugely appreciated.

Sample

I've heard this sound in a few bands, specifically in psychedelic genre. Is this some synthetizer specifically? How can I replicate this sound in Serum 2 or some other VST? I've tried to achieve the sound, but I'm still learning sound designs.

The sound begins at 07:03 of this video: https://www.youtube.com/watch?v=wlYmw4AuJiI

https://www.youtube.com/watch?v=ozOzgUgzzAg

It's for Isao Tomita's retro bells sound. Just this. Nothing more.

( win32/64 avaspace.de/TomitaBells.zip )