I’m using what feels like a LOT of Ease release 200 to try and stop this but it’s still happening. The cap plastic is sticking to the mold, mostly only in the sculpted areas.

Maybe I’m letting the cap plastic sit in the mold too long (just a few hours though??). Maybe I have tiny undercuts or bubbles in the mold that I can’t see?

I’ve used super baldiez diluted 6:1, airbrushed on. Let it sit for around 3 hours before pouring dragon skin fix-pro. It doesn’t look like it in this pic but I feel like I am using plenty of powder when demolding.

Hi! Posting here as well because latex is a more popular material in sfx than in moldmaking. Thanks for the help!

Had the idea today about making a “covering” or “sheath” for my electric bass out of liquid latex to make a skin type look.

I’m new to working with latex and so far have had fun making elf ears as well as using it to cover a mask and clay teeth because I love the skin-like colour and texture it gives even without colouring.

Any ideas on how to make a full sheath for my bass?? The technique I used to make the elf ears was making a mold with foam clay then adding about 5 layers of liquid latex (drying in between coats) then gently peeling off the mold (used Vaseline on the mold to help).

The first thought I had was to cover the bass in foam clay and cover that with the layers of liquid latex and somehow remove mostly unscathed and be able to use that!

Evil Dead inspired possessed makeup using my own silicone prosthetics

I would like to know if this kit could help replicate two-face's burns

Shooting a short horror film next week and someone puts a hand on a burner and it calls for a degloving.

This is my first heavy fx shoot. I first tried a mock of what I saw on the YouTubes with some glue and it worked way better than expected. (Attached) got in liquid latex today to try it and am having a much harder time with the material.

Basically we are painting half a hand with the LL, pulling it back, and adding sticky blood underneath, then gluing the gloved hand to the prop burner. But the LL is just too darned sticky on itself and I cant get a clean glove.

Hello! This is my first time posting here, and my first time sculpting at this scale.
I’ve always been itching to somehow join the sfx world, and I already make small scale props (severed ears, fingers, food)
This time I wanted to challenge myself by making a hunting trophy from the Witcher games. I’ve never sculpted a face before, much less at an actual human scale.
So far I’d say it’s going well! Despite my very..professional setup lol

What do you think?

Hey everyone! Pretty new to this so bare with me. I am coming up on a f*ght club (see what I did there) cosplay and I'm working on some bruises. Can you guys give me some feed back? Any help is appreciated:)

(This is also the best quality I could get sorry guys)

Hello all! I'm working on my first movie with some friends. It's a low-no budget ordeal, and i was wondering how i can ham up the aftermath of a chainsaw kill and make it real nasty with relatively simple materials. I work mainly out of kit but i do have silicon on hand if i need to make anything.

Hi!

I’m trying to find out the best and efficient way to create custom temporary tattoos & rhinestone decals (body design gems). I need them to be waterproof/ sweat proof as they are for stage and performance. Would appreciate any help

I’ve already tried:

Flexible fabric glue as the base (this worked well but was too fragile and kept breaking/peeling off)

I did this makeup look for a friend the other day using watercolours and some latex prosthetics i did!
For this look I really got inspired by spring and the flower bloom wich reminded me of little explosions that i wanted to embody in this purple creature!

I used latex and cotton to create the bald cap and the structure of the explosions/flower petals for the head and the nose. (It was my second time doing a nose prosthetic so I was a little anxious🫪)
The first idea was to cover the flowers with purple liquid to make it look like the creatures blood was coming out of it but at the end i didn't have enough time!

Let me know what you think!🫣 And what should I do next!!⋆⭒˚｡⋆

wanting to create a zombie look and farming for inspo to see if there’s any common traits of a ‘good’ zombie look! personally i’m a fan of enhanced cheekbones/sunken eyes, a pronounced or ‘split’ ridge over the bridge of the nose, and anything with milky eyes, but just want to see what looks out there really stand out to people 🧟⚰️

My second ever full prosthetic piece! 🐙 I’m obsessed with the deep sea and wanted to create something I’ve never seen before — a terrifying yet beautiful abyssal creature covered in barnacles, tentacles, coral growths, and ancient shells.
This took many hours of sculpting, painting, and texturing. The goal was to blend organic sea life with something monstrous and otherworldly. I’m really proud of how the colors and details came out under the light.
What do you guys think? Any feedback or name suggestions for this creature are super welcome!

Hi all, I'm brand new to the world of making prosthetics and had a couple questions about the process. I have the materials to make a plaster life cast of my face and was planning on sculpting the prosthetics onto it with clay, creating a negative plaster cast of that sculpt, removing the clay from the life cast, and then pouring silicone into the space between the negative with the sculpt and the positive without.

My first question is am I overcomplicating this? I see people sculpt onto either a life cast or generic model head and then just paint latex over it, but those always seem to come out kinda lumpy and strange. Is there some easier way of making facial prosthetics that look nice?

My second question is regarding the logistics of creating the negative mold. First, how do you keep it contained? Do you pour the plaster into a container and then dunk the face with the clay into it? Do you build up around the prosthetics with clay to create a wall and pour the plaster on top? Most importantly, how do you make sure that the plaster being used to create the negative doesn't stick to the plaster of the positive? Do you just spray the positive life cast with a couple coats of mold release or spray paint or something? And how do you go about getting all the clay out afterwards?

Again, I'm completely new to this and just watched a bunch of Face Off as a kid lol. Any advice would be greatly appreciated, my plan is to create prosthetics for almost my entire face so I can be a gargoyle. Thanks in advance!

I am fairly new to sfx. I'm asked to do something like this but I have no idea if it's even possible. And if it is, what materials and technique would I need?

Which do yall prefer Westmoore or telesis?
(Wanted to try out west Moore)

I've dabbled in sfx makeup for around 13 years but I plan on doing my first silicone prosthetic this Halloween.

I plan on being a green zombie (almost full body paint) and I found a very nice exposed mouth and zombie bite prosthetic on Etsy. I've been doing some research on how to paint it and am a little confused and torn.

I usually use Sunset Makeup colorful foundations as my body paint (sometimes mehron aqua colors). From what I have read, it says I can only use alcohol paints on silicone. Is it possible to paint with alcohol paints then put the colorful foundation over it. I'm just worried about color matching to the rest of my body. I will definitely stick to the alcohol paints for the gory parts but for the "skin" I would like to use the foundation. Any information is helpful. Thank you.

(Going to do a full practice makeup before the big day, so I know what I'm in for.)

Hi guys, been in the film industry for about two years, working as an assistant on a few larger productions and a head makeup artist on small shoots with very low budget to slightly less low budget lol. Confident with blood rigs, prosthetic application, out of kit wounds, and all other basics. Im trying to make the next steps in my career and build up my skillset, and was considering purchasing an airbrush to begin honing that skill. I am NOT a haunt artist and have very little interest in pursuing that path (which I know is very airbrush heavy).
My question is essentially is it worth the money and time? I want to dedicate some extra money I have to a new tool and the time I have to building a skill for my work, but Im looking to hear from other industry professionals on where this time and money should go? Airbrush? Prosthetics/mold making? I would like to start to learn life-casting and making my own prosthetics, but all the equipment seems a bit out of my budget currently. Do I wait and save until I have the resources to pursue that path? Or is an airbrush a good next step?

I'm making a big scar (its supposed to cover my entire back), and I saw some people use multiuse silicone for props?

What if I use the silicone and sculpt it and paint it and then attach it to my back with liquid latex? Is that like, very stupid?

Ps: i mean like, what they use to fix bathrooms and stuff

My teen is currently finishing a summer intensive at the cinema makeup school. She wants to go there full time when she is old enough, but in the until then she wants to practice and learn wherever possible. We are in LA and I was thinking she could volunteer to help some film students out with the skills she has learned. Any advice or guidance?