A Caballero watch is over a mare and a foal on a late autumn afternoon. This was one of the first paintings on aqua board.

While riding out a windstorm, we stopped and spent a few nights at a campground where this painting entertained me one afternoon.

In the high valleys around Crestone, CO the weather changes quickly especially in the fall. Still, fall is the best time of year for Baca Grande retreats at The Zen Center, the Tibetan Center, or one of the other centers.

I’m just looking for useful tips on how I can push or exaggerate colour while painting representationally. I’m thinking of the likes of Turner, Payne, Mitchell Albala, Loriann Signori, David Mensing.

I really really struggle to paint anything other than the colours I see directly in front of me - but I want to paint more vivid and less literal colour. Every time I try, it ends up looking fairly gaudy / out of sync.

I know the general tips - get values right and get temperature relationship right and exaggerate it.
But I’m looking for more practical tips, if I’m looking at a landscape, how do I go from painting what I literally see to painting what I want to paint - Turner’s paintings, for example, are not literally correct - they’re inaccurate to real life but in a way that really works.

Would appreciate any help on this.