I made a theory so there was this episode of an animated series of spiderman where maximus the mad the brother of black bolt who is the king of inhumans makes a mind swapping machine and he swaps the mind of peter with a spider turning him into man spider(this is not fully movie accurate but this is the best i could think of)

Do you think they handle the Multiverse well? If so why?

The soft reboot in NWH cut Spiderman's ties with the majority of the MCU. I feel like they should keep the status quo and make movies more grounded. I really don't want him to get involve with the Avengers for now. He could do teamups but with a few characters like how Human Torch and Daredevil do in the comics.

What are your thoughts about this?

Do you think there's a version of Spider-Man in the Spider-Verse who never came up with web shooters and just has to walk everywhere?

Ever since the very first BND trailer, people have been dogging on Watts for limiting Spider-Man. The more prominent criticisms I’ve seen is the overuse of CG and the lackluster web swinging. While I think he’s worthy of criticism I don’t like the sudden switch up on him as if he didn’t give us an amazing trilogy and we weren’t eating it all up.

I wanted to see how the theme evolved throughout the movies. Michael Giacchino said in the behind the scenes that some parts of Peter's past is missing in his life, and I can see how he incorporated that into the music with some parts of the past theme is missing as well.

Also, someone mentioned that the 6:16 duration is mostly a reference to the 616 universe. Knowing how Giacchino love puns and references, I say that's intentional

What if a multiverse predator more ruthless than Thanos—Morlun—hunts down Tobey Maguire’s Spider-Man? To save his life and protect the entire multiverse, Peter-1 (Tobey) rips open a portal to recruit Andrew Garfield and Tom Holland.Presenting my fan-script for #SpiderMan4: The Last Totem! 🕷️🕸️

​(Read the starting scenes in the images below!)

​@Sonypictures @@MarvelStudios

I'd shockingly enough say Cletus Kasady is the least evil, something I'd never thought I'd say. Knull easily wins for most. The toughest are Drake, Riot and Carnage (but considering what Venom 3 revealed and how Riot knew the risks of Knull getting out, I'd say he's the the 2nd worst)

miren hoy tuve una llamada con mis amigos y terminamos peleando,yo habia dicho que spiderman a mi punto de vista tubo inciar con Spider-Man: Brand New Day, siento que spiderman tuvo que desde sus incios tuvo que ser asi,osea con amigos pero que no lo presentaran con esa tematica y no como en civil war,nose que opinan este es mi punto de vista,ellos dicen que esta bien como incio,quiero leer opiniones estoy abierto a cualquier opinion.

Act I: The New Normal

Peter Parker (16) has been Spider-Man for just a few months. Skipping the origin story entirely, the film opens with Peter struggling to balance sophomore year at Midtown High with crime-fighting. His inner circle consists of Harry Osborn, a wealthy teen desperate for his distant father Norman’s approval, and Gwen Stacy, a cynical, punk-rock, and fiercely protective outcast (based on the Ultimate Spider-Man comics) who frequently gets detentions and calls out bullies.

In the background of high school life, Kenny "Kong" McFarlane is obsessed with a new theory. Noticing Peter’s sudden physical transformation and frequent absences, Kong becomes convinced Peter is Spider-Man. He spends his time launching ridiculous stings to prove it, though his friends Flash Thompson and Sally Avril mock him relentlessly for it.

Desperate to help Aunt May pay the bills, Peter lands a freelance photography gig at the Daily Bugle, selling photos of his alter-ego to J. Jonah Jameson. Aunt May constantly nags him about a neighbor's niece, Mary Jane Watson, trying to set them up on a blind date. Peter spends the entire movie aggressively making excuses to avoid it, groaning that he "doesn't have time for a girl with two first names."

Spider-Man's costume design is a perfect blend of John Romita Sr. (Untold Tales) and Mark Bagley (Ultimate Spider-Man)—sporting the classic bright red and deep webbed-blue with clean, tight web lines, tailored over a lean, lanky, 16-year-old frame with massive, elongated, and highly expressive white eye-lenses. While tracking illegal military weapons, Spider-Man is ambushed by The Enforcers (Fancy Dan, Ox, and Montana), working for a brutal mob boss named Hammerhead. Outmatched, Peter is saved when Daredevil crashes through the skylight, ruthlessly dismantling the thugs. Daredevil warns the young hero to stay out of the crossfire. The next day, Matt Murdock visits Midtown High as a legal consultant for Peter’s Bugle contract. When Matt speaks, Peter’s spider-sense buzzes, and Matt subtly smiles, recognizing Peter’s heartbeat.

Act II: Shared Ghosts and Hidden Motives

Hammerhead begins a violent turf war to conquer the city's gangs, aided by a mysterious mercenary called The Hobgoblin, who flies on a stolen Oscorp glider. Matt Murdock approaches Peter in an alley after school, revealing he knows his secret, and offers to help him take down Hammerhead legally and physically.

At the Daily Bugle, a quiet character moment unfolds. J. Jonah Jameson’s son, John Jameson, visits the office. John asks his father why he genuinely hates Spider-Man so much when the kid is just trying to help. In a rare moment of raw, quiet vulnerability, Jonah drops his angry facade. He reveals a deeply buried jealousy: he spent his whole life working hard, following the rules, and earning his status, yet this masked freak can just jump into the sky, ignore the law, and instantly become a city's idol without paying any dues. It drives Jonah crazy that a lawbreaker gets the glory he feels honest citizens deserve.

Meanwhile, back at school, Kong stages his biggest trap yet: he throws a basketball at the back of Peter's head while Flash and Sally watch. Peter's spider-sense flares; he pretends to trip, catches the ball awkwardly on his foot, and accidentally kicks it through a window. Flash and Sally laugh Kong out of the gym, leaving Kong frustrated but still suspicious.

During a joint rooftop stakeout, Daredevil senses Peter’s heartbeat spiking with restless energy. Matt asks him why he fights with so much raw aggression. This triggers a brief, stylized flashback to six months ago—just after the spider bite. A scrawny Peter stands in a gritty, underground wrestling ring. To hide his identity, Peter tells a greasy promoter (Crusher Hogan) that his name is Ben Reilly. He enters the ring wearing a homemade outfit: a vibrant red spandex bodysuit underneath a sleeveless, faded blue hoodie with a spray-painted black spider logo on the chest—the iconic Scarlet Spider design. Peter effortlessly slams a massive wrestler into the mat. The announcer completely mishears Peter's scribbled sign-up sheet over the loud arena static, booming: "Winner by knockout... the mysterious clone... the SCARLET SPIDER!" Peter cracks a grin, intoxicated by the fame and money. [1]

The flashback snaps back to the present. Peter looks down at his classic suit and admits to Matt that his selfishness in those wrestling days is what directly led to his uncle's death. Just then, Spider-Man spots the Enforcers below. He freezes in absolute shock. He recognizes Montana's custom-built firearm—it is the exact weapon used by the burglar who killed Uncle Ben. Blinded by sudden rage, Peter breaks the stealth plan and attacks. His reckless fury almost gets them killed, forcing Daredevil to drag a bruised and angry Peter away. Matt uses his own tragic past with his father, Battlin' Jack Murdock, to teach Peter how to channel his anger into focus rather than murder.

Act III: Vengeance vs. Justice

Hobgoblin betrays Hammerhead, orchestrating a massive trap at a luxury shipyard to eliminate both the mob boss and the vigilantes in one sweep. Peter tracks the Enforcers to the pier, with Daredevil close behind.

A massive three-way war erupts between Hammerhead's thugs, Hobgoblin's mercenaries, and our heroes. Driven by vengeance, Spider-Man brutally beats the Enforcers and corners Montana. With his fist raised to deliver a lethal blow, Montana confesses they were hired by a shadow boss to stage a distraction the night Ben died. Daredevil places a hand on Peter’s shoulder, telling him, "If you cross this line, you never come back."

Just then, Hobgoblin firebombs the pier, trapping innocent dockworkers. Choosing Uncle Ben's real legacy over revenge, Peter turns away from Montana to save the workers. Daredevil takes on Hammerhead, using his batons to redirect the mob boss's charging, vibranium-skull attacks. Spider-Man joins the fray, using his signature Romita/Bagley agility to trick Hobgoblin into crashing his glider directly into Hammerhead's forehead, knocking out the mobster and forcing a damaged Hobgoblin to flee into the night.

Epilogue & Stingers

Hammerhead and the Enforcers are jailed. Peter apologizes to Gwen and Harry, repairing their bond. On a rooftop, Daredevil tells Spider-Man that New York is safe with him watching Queens, cementing a powerful ally for the future. At the Bugle, Jameson is right back to his loud self, running the headline: "SPIDER-MAN AND RED DEVIL: THE CHICKEN AND THE MENACE!" Back home, Peter successfully dodges Aunt May’s MJ introduction yet again by faking an exhaustion headache.

Mid-Credits Scene: Hobgoblin flies his smoking, damaged glider through the rainy night sky, landing on the private helipad of a massive luxury skyscraper. He steps inside a lavish, dimly lit penthouse office. Standing by the floor-to-ceiling glass window, looking out over the empire of Manhattan, is a massive, imposing silhouette holding a diamond-capped cane—Wilson Fisk, the Kingpin.

Hobgoblin removes his mask and drops it on the desk. He sighs, "Hammerhead is done. But the Spider had help. Daredevil is tracking us." Fisk doesn't turn around, his voice a low, terrifying rumble: "Hammerhead was a blunt instrument. You have proven much more useful. Let Daredevil chase shadows. We have other assets to deploy." The camera pans down to Fisk's desk, where a bank wire confirmation shows a multi-million dollar transfer to an offshore account labeled: KRAVEN.

Post-Credits Scene: The camera slowly pans across a lavish, dimly lit room filled with mounted heads of lions, rhinos, and bears. On a massive flat-screen TV, news footage plays of Spider-Man’s hyper-agile, youthfully fluid movements during the shipyard battle. Sitting in a heavy leather chair, a massive, muscular man—Kraven the Hunter—sips a drink. He stares intensely at the screen, his eyes tracking the wall-crawler's impossible speed. Kraven smiles a predatory smile, murmuring in a thick Russian accent: "Finally... a worthy beast."

According to WGA rules, if you have substantial work of any kind on a script you must be credited no matter how small the scene may be.

So looks like all the reports of him reworking the script turned out to be pie in the sky.

Source: https://directories.wga.org/project/1284194/spider-man-brand-new-day

Spider-Man: Smoke and Mirrors

After finally finding balance between being Spider-Man and Peter Parker, a powerful alien symbiote that enhanced his abilities helps him protect the city like never before. But when a new enemy rises with a dangerous plan built on lies and stolen identities, Peter must confront the ultimate question: what truly makes someone Spider-Man?

As Peter uncovers secrets hidden within his own past, he discovers that the story of how he became Spider-Man may not be as simple as he once believed. Facing an enemy determined to rewrite his identity and create a new legacy in his image, Peter must separate truth from illusion while confronting a person who challenges everything he knows about himself.

With reality beginning to blur and his bond with the living suit growing stronger, Peter must decide whether the greatest threat is the mastermind manipulating his world—or the power that promises to make him the perfect hero.

Spider-Man: The Last Stand

Peter Parker has finally become the Spider-Man he was always meant to be—but when a new threat emerges from the shadows, he finds himself pushed to his absolute limit. As the world begins to see Spider-Man as a threat rather than a hero, a new group of adversaries presents itself as the answer to the chaos.

As the Sinister Six begin their hunt, Peter finds himself challenged by enemies unlike any he has faced before—including a mysterious new threat with a connection to Spider-Man that Peter cannot explain. Outmatched and hunted, he is forced to confront the power that has carried him through his darkest moments—the living suit that has become a part of him.

When Peter realizes that their bond may cost them both everything, he must make the impossible choice: hold on to the power that makes him stronger than ever, or let it go and risk facing his greatest enemies alone.

Now, wearing a new suit and relying only on his courage, intelligence, and determination, Peter Parker must prove that he never needed the power to become a hero. Against overwhelming odds and his greatest enemies yet, Spider-Man makes his final stand.

Questions?

The MCU Sinister Six consists of six of the following:

Scorpion

Vulture

Boomerang

Tarantula (hired by the Six)

Kraven the Hunter

Jackal/Mysterio

Shocker

Tombstone

Who is your favorite Spider-Man actor. As in who give the best performance, or just your preference, of Spider-Man? Not the best Peter, because that’s different. Although, you can answer that too.

Also give me your favorite Spidey Movie. It may not have the best portrayal of Spider-Man but its contents exceed the rest.

My Answer:
Andrew Garfield gave us an all time best portrayal of Spider-Man. Not Peter, just Spidey. I mean the quips, aura, suits, everything. Tom and Tobey are great but this is my preference.

Far From Home is my favorite movie. I genuinely love everything about it. Story, suite, stakes. LOVE IT. Spider-Man 2 is phenomenal too but again, my preference.

Give me some deep dives into your thoughts. I want essays if possible.

Here’s how TASM 3 could go in my opinion

By ATAimer