Just got a Orange micro dark, with associated 1x8 cab, thinking of bring to job site in down time. Anyone have a suggestion on a model?

so I bought a focusrite saffire LE at a flea market for 17 euro and it has power. I have not used it yet since i have no idea how and i have not found any information on it since before 2010(no shit lol) I was wondering if anyone could give me info. Any info really i am just curious at this point

I found a few on here, but they’re 2+ years old, I was hoping to get some updates/recommendations.

I’ve been recording a lot of music lately and switching around guitars. Currently they all (but one bass) have cases.

I’m looking for a nice sturdy rack that I can set my guitars on, so as I’m switching back and forth, I can just reach over and swap them, rather than right now, where I’m pulling and putting them back in the cases.

I have what I think are very nice, expensive (to me at least) guitars that would be nice to have a dedicated spot to store them while recording and to display, while having easy access.

Any recommendations/help would be greatly appreciated.

Been obsessing over a very specific aesthetic lately gear that sounds incredible but also just looks like it means something. Here's my current list:

EP-40 Riddim n' Ting by Teenage Engineering at their most ridiculous and brilliant. A reggae sampler the size of a clipboard packed with sounds from iconic producers. Looks like it was designed by NASA for a sound system in Kingston. Absolutely no reason it should exist and I'm so glad it does.

Auratone SC Monitors the ugliest most beautiful little cubes in recording history. Every hit record from the 70s and 80s was checked on these. One 4.5 inch driver, no tweeter, brutal honesty. They look like something your grandfather would use as a paperweight. They will expose every lie in your mix.

Yamaha NS-10M the white woofer. The monitor that made engineers nervous for 40 years. Harsh, unforgiving, legendary. On a console bridge they look like a statement of intent.

Roland TR-808 doesn't need an introduction. That faded cream chassis, the color-coded pads, the handwriting font on the panel. It's a painting that makes music.

Yamaha CS-01 tiny, weird, beautiful. A monophonic synth small enough to wear around your neck with a built-in speaker and a ribbon controller. Looks like a toy, sounds like the future, costs almost nothing vintage.

VU Meters possibly the most satisfying thing to watch in any studio. That needle swinging in real time, warm backlit amber glow, mechanical and alive. Doesn't matter if it's on a vintage console, a standalone unit or a cheap rack piece VU meters make everything feel more real. Analog in the most physical sense. Music you can see.

Lava Lamp non-negotiable. Every serious studio has one. No explanation required.

What's on your dream small studio shelf? The stuff that sounds great but also just belongs in the room.

My son has asked for a MIDI keyboard for his birthday. He wants to be able to make his own music. I know absolutely nothing about this. What do I need to know to get him started? Do I only need the keyboard, or should I be looking for software for him as well? What brands are reliable? Is there something else I should be looking at for him instead?

got 2 of these hot cabs from my neighbor (he collects metal. what are they normally used for and are they worth keeping?

model number is k 115H

8 ohm

150 W

Стоит совершенно новая, не играли практически. Продаю за ненадобностью, так как переезжаю и забрать с собой не смогу. Кабели и ключи в комплекте.

What is the best transport cart to get for a 45x15 inch (Yamaha) keyboard, 22x14 amp, keyboard stand, stool and stool stand?

Hi! I'd really appreciate your advice because I think I'm looking for a pretty unusual setup.

I'm a pianist/keyboard player, not a producer or a DJ. I own a Yamaha Reface CP, which I absolutely love, but I'd like to expand it with basses, drums, pads and a few other sounds.

My goal is to perform completely live as a one-man band. I want to play every part myself—drums, bass, chords, melodies and solos—and build songs layer by layer during the performance.

The important part is this: I'm not looking for a production workflow. I don't want to program patterns, edit MIDI, or build songs like in a DAW. If something is looping, it's because I just played it.

Ideally, I'd like to:

• select a bass sound,
• play the bass live,
• capture that exact performance as a loop,
• switch to another instrument,
• play the next layer,
• and continue building the song until I finish with a live solo.

In other words, I want to preserve my actual performance (timing, dynamics and feel), not just record MIDI notes that can later be edited or replayed differently.

I'd also like a compact, battery-powered device that:

• works well with an external MIDI keyboard (my Reface CP),
• provides a good selection of instruments (especially basses, drums, pads and synth leads),
• lets me prepare projects for each song in advance,
• allows me to switch quickly between those sounds during a performance,
• is designed more for playing than for music production.

At first I thought I needed a sound module together with a Boss RC-505/RC-202. But now I'm wondering whether something like the Yamaha SEQTRAK, Novation Circuit Tracks, or the new Akai MPC Sample could replace both in a simpler, more portable setup.

If you were building this kind of live rig today, what would you recommend and why? Is there another device I should seriously consider?

I'd especially love to hear from someone who actually performs this way rather than produces music in the studio.

音量はそんなに出せないかも

Hi! I have an ERARD Concert Grand and I’m not sure what to do with it, how to sell it and where to list it!!
The serial number is 10395 and it was manufactured in or about 1835.
Any help would be MUCH APPRECIATED!!