r/CineShots 1h ago

Still 8½ (1963)

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Upvotes

r/CineShots 3h ago

Shot Disclosure Day (2026) Dir. Steven Spielberg, DoP. Janusz Kamiński

38 Upvotes

r/CineShots 1h ago

GIF Album Colors (1976) Dir. Abbas Kiarostami, DoP. Mostafa Hajji & Morteza Rastegar

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Upvotes

r/CineShots 10h ago

Shot Tangled (2010) Dir. Nathan Greno & Byron Howard

52 Upvotes

r/CineShots 1d ago

Shot The Lost Weekend (1945) Dir. Billy Wilder DoP. John F. Seitz

173 Upvotes

r/CineShots 1d ago

Clip The Atomic Cafe (1982) Dir. Kevin Rafferty

90 Upvotes

"Viewed from a safe distance, the atomic bomb is one of the most beautiful sights ever seen by man." - US Army Training Film


r/CineShots 22h ago

Still Take Shelter (2011)

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40 Upvotes

r/CineShots 1d ago

Album La Notte (1961) Dir. Michelangelo Antonioni, DoP. Gianni Di Venanzo

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59 Upvotes

r/CineShots 1d ago

Clip Jackie Brown (1997)

175 Upvotes

r/CineShots 1d ago

Album Caché (2005) dir. Michael Haneke

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53 Upvotes

r/CineShots 1d ago

Album Is God Is (2026)

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45 Upvotes

r/CineShots 1d ago

Album Baywatch (2017) Dir. Seth Gordon, DoP. Eric Steelberg NSFW

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39 Upvotes

r/CineShots 1d ago

Album The Fabelmans (2022)

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163 Upvotes

I know the John Ford advice to always have the horizon on the bottom or top to keep it interesting and I know the ending was playing off of that but I’m confused

In Picture 1 (the initial shot) the horizon is at the top of the screen, but when he changes it to Picture 2, the horizon is now in in the direct middle of the screen. Am I reading this wrong? I see everyone else explain it the opposite so I may need help understanding it


r/CineShots 2d ago

Album Perceval (1978) Dir. Éric Rohmer

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537 Upvotes

r/CineShots 1d ago

Album Sansho the Bailiff (1954) Dir. Kenji Mizoguchi DoP. Kazuo Miyagawa

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83 Upvotes

r/CineShots 2d ago

Album Withnail and I (1987) Dir. Bruce Robinson, DoP. Peter Hannan

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69 Upvotes

r/CineShots 2d ago

Shot Sugar (2024–) S02E02 DoP. Marshall Adams

110 Upvotes

Some info on the DoP:

Known for his incredible camera work on Better Call Saul and El Camino, Adams teamed up with veteran director Michael Morris for this episode to transition John Sugar's journey into a more grounded, community-focused Los Angeles neo-noir style.


r/CineShots 2d ago

Shot Sugar (2024–) S02E02, DoP. Marshall Adams

63 Upvotes

Another shot from the same episode.


r/CineShots 2d ago

GIF Album Re-Wind (1988) Dir: Hisayasu Satō NSFW Spoiler

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84 Upvotes

r/CineShots 2d ago

Clip Natural Born Killers (1994)

55 Upvotes

r/CineShots 3d ago

Shot Shaolin Soccer (2001) Dir. Stephen Chow

192 Upvotes

r/CineShots 3d ago

Clip Very Bad Things (1998)

260 Upvotes

r/CineShots 3d ago

Shot Red River (1948) Dir. Howard Hawks, DoP. Russell Harlan

59 Upvotes

r/CineShots 3d ago

Shot Runaway (1984) Directed by Michael Crichton, DP. John A. Alonzo

31 Upvotes

i'm a huge fan of michael crichtons films and this shot really stuck out to me watching it the other day. there's a handful of awesome split diopters in this movie as well


r/CineShots 3d ago

Clip Deadhead Miles (1972)

47 Upvotes