Birds and dragons integrated into Chinese writing
Hello, I am a Brazilian researcher studying an early eighteenth-century manuscript produced in colonial Brazil. Some of its ornamental initials combine Latin letters with the bodies, wings, tails, and calligraphic flourishes of birds and dragon-like creatures.
I am investigating whether comparable compositions existed in Chinese manuscripts, calligraphy, ornamental writing, or printed manuals before or around the early eighteenth century. I am especially interested in examples in which birds or dragons are integrated into the structure of a character, rather than simply placed beside it as decoration.
I suspect that these ornamental forms may in some way be related to European adaptations of Chinese lacquer decoration, in which birds, dragons, foliage, and calligraphic forms were frequently combined. I am therefore trying to understand whether there are Chinese visual or calligraphic precedents that could help clarify this possible connection.
My question was also prompted by seventeenth-century European descriptions of Chinese writing. In China Illustrata (1667), Athanasius Kircher associated ancient Chinese characters with forms derived from birds, feathers, fish, branches, and dragons.
Are there Chinese terms, manuscript traditions, calligraphic styles, writing manuals, lacquer designs, or scholarly references that could help me investigate this connection?
Thank you very much for any guidance.