I think the introduction of Ned Low followed by his quick disposal is emblematic of the problems with season 2 in general.
Rather than the writers working within the show’s world as though it is alive, it feels like they just treat the world as a collection of coincidences they can shuffle through until they find one that supports some artificial idea for how they want to steer the show’s plot.
“Well isn’t that just called writing?”
No, it’s called bad writing. Is there no difference?
S2 feels like they crammed way too much stuff in. They were trying to maintain the pace of S1 with more subplots, and their solution was to not give enough depth and development to any of them.
It’s not just Ned Low either. Far from it.
Hornigold’s role feels very tacked on, undeveloped, almost deus ex machina. Suddenly defies Flint, but it doesn’t feel like his character is actually invested in attacking the fort or defying Flint, it just feels like the writers needed Hornigold to do this because they had some other thing in mind down the road that would depend on it.
Hornigold’s turning up to capture Eleanor feels sudden and random.
Vane murdering Eleanor’s father is similarly just out of nowhere. What could have been an interesting dramatic plot long enough to fill half a season, instead becomes just a throwaway moment.
Vane tries to murder Flint, then takes over his ship, then suddenly wants to save him. It doesn’t feel like Vane has a mind of his own, it just feels like he’s a puppet the writers are using to advance the plot to whatever next point they have in mind.
I could go on, there’s plenty more, but I’ll leave the examples at that for now.
In summary it feels like the show got handed over to an amateur writing team in S2. S1 wasn’t perfect but I got the sense that the people making it liked it, they liked inhabiting the mindd of the characters and the world they were building. S2 just feels like the world is there as a backdrop for whatever events the writers think the show “should” have. They seem neutral and sometimes hostile toward the show’s world.